Kyoto

By Joe Murphy and Joe Robertson

Saving the earth is a filthy business

  • Running time:

    To be confirmed

Kyoto, the 'truly remarkable' (WhatsOnStage) new political thriller transfers to London's West End from 9 January 2025. Brought to you by the RSC and Good Chance, fresh from a critically acclaimed run in Stratford-upon-Avon, this 'tense and gripping' (Guardian) show brings a world of hope to @sohoplace for a strictly limited 16-week season from 9 January. 

Welcome to the Kyoto Conference Centre, 11 December 1997. The nations of the world are in deadlock and 11 hours have passed since the UN’s landmark climate conference should have ended. Time is running out and agreement feels a world away. The greatest obstacle: American oil lobbyist and master strategist, Don Pearlman...

Featuring a ‘barnstorming performance’ (FT) from Stephen Kunken (Billions and The Handmaid’s Tale), Kyoto sees Olivier award-winning directors Stephen Daldry and Justin Martin (Stranger Things: The First Shadow) reunite with Good Chance's Artistic Directors and playwrights Joe Murphy and Joe Robertson (The Jungle), for this sharp, searing and darkly comic story of the moment all nations tried to set aside their differences for the sake of the planet.

Hailed as 'rich and vital' (The i) and 'sheer theatrical magic' (WhatsOnStage), Kyoto seats you at the heart of the action, and shows that even in a climate of rapidly rising temperatures, the impossible really can become possible. Be part of that moment with our limited ‘In conference’ seats which give audience members the chance to be one of the delegates in the play. 


Age guidance 12+. This production contains explicit language, smoking (cigarettes), flashing lights, loud music and haze. For more information about themes and content of this play, please see our content advisory page.

Please note the production is not able to guarantee the appearance of any specific actor in Kyoto.

TikTok £10 Tickets for 16-25s

 

Kyoto is an RSC, Good Chance, Rachel Styne & Jessica Foung production, by arrangement with Nica Burns.

New Work at the RSC is generously supported by Hawthornden Foundation and The Drue and H.J. Heinz II Charitable Trust