Timeline

Act 1

Athens

Theseus and Hippolyta plan

A Midsummer Night_s Dream _2005_Unrecorded _c_ RSC_89101

The 2005 production of A Midsummer Night's Dream. 

The Duke of Athens, Theseus, and his future wife, Hippolyta, talk about their forthcoming wedding as their ‘nuptial hour / draws on apace’.

Key Scene

Egeus is angry

A Midsummer Night_s Dream_ A Play for the Nation production photos_ February 2016_2016_Photo by Topher McGrillis _c_ RSC_184332

Egeus in the 2016 'A Play for the Nation' production of A Midsummer Night's Dream. 

Photo by Topher McGrillis Browse and license our images
They are interrupted by Egeus. He is angry that his daughter, Hermia, refuses to marry his choice of suitor, Demetrius. He invokes an ancient law that states if Hermia will not do as he says she should be put to death. The Duke agrees and sentences her to death if she does not marry Demetrius. Lysander, the true object of Hermia's affections, tries to comfort her, saying ‘the course of true love never did run smooth’ .

Hermia and Lysander run away

A Midsummer Night_s Dream _2005_Unrecorded _c_ RSC_89124

The 2005 production of A Midsummer Night's Dream. 

Hermia and Lysander decide to elope in order to escape the sentence set down by Duke Theseus. They tell Helena, Hermia’s best friend, who then tells Demetrius because she is in love with him.

Rehearsals begin

A Midsummer Night_s Dream_ 2011_Ellie Kurttz _c_ RSC_133029

Demetrius and Bottom in the 2011 production of A Midsummer Night's Dream. 

Photo by Ellie Kurttz Browse and license our images
Peter Quince, the carpenter, has organised a group of Mechanicals including Nick Bottom, the weaver, to meet and rehearse a play in the forest. He greets them by asking ‘Is all our company here?’ and they start to get ready to perform at the Duke’s wedding to Hippolyta.

Act 2

Woods

Oberon and Titania argue

A Midsummer Night_s Dream_ 1999_ Oberon and Titania_1999_Photo by Donald Cooper _c_ RSC_69005

Oberon and Titania in the 1999 production of A Midsummer Night's Dream. 

Photo by Donald Cooper Browse and license our images
Oberon and Titania meet and argue about a changeling boy that Oberon wants to be his henchman, with Oberon saying ‘Ill met by moonlight, proud Titania’. Titania refuses to give him the child as she promised the boy’s mother she would look after him.

Key Scene

Oberon directs Puck

A Midsummer Night_s Dream_ 1954_ Puck and Oberon_1954_Photo by Angus McBean _c_ RSC_27106

Puck and Oberon in the 1954 production of A Midsummer Night's Dream. 

Photo by Angus McBean Browse and license our images
In order to seek his revenge, Oberon decides to play a trick on Titania. He sends his servant, Puck, to find a flower that has magic powers. The juice of it can make whoever has it put in their eyes while asleep fall in love with the first living thing they see when they wake up.

Key Scene

Oberon sees Demetrius

A Midsummer Night_s Dream_ 1963_  Helena and Demetrius_1963_Photo by Reg Wilson _c_ RSC_67028

Helena and Demetrius in the 1963 production of A Midsummer Night's Dream. 

Photo by Reg Wilson Browse and license our images
Oberon observes Demetrius and Helena in the woods. Demetrius is annoyed at Helena for following him and is unpleasant to her, saying ‘I am sick when I do look on thee’. Oberon takes pity on Helena. When Puck returns, Oberon asks him to find Demetrius and put some of the love potion on his eyes so that he will love Helena back.

Oberon bewitches Titania

A Midsummer Night_s Dream_ 2011_Ellie Kurttz _c_ RSC_133002

Titania in the 2011 production of A Midsummer Night's Dream. 

Photo by Ellie Kurttz Browse and license our images
The fairies sing a song to Titania and as soon as she is sleeping, Oberon puts the love juice in her eyes saying ‘wake when some vile thing is near’.

Puck makes a mistake

A Midsummer Night_s Dream_ 2002_ Puck_2002_Photo by Manuel Harlan _c_ RSC_103716

Puck in the 2002 production of A Midsummer Night's Dream. 

Photo by Manuel Harlan Browse and license our images
Hermia and Lysander get lost in the forest and decide to rest until the morning. Puck accidently puts the love potion in Lysander’s eyes, thinking he is Demetrius.

Lysander falls for Helena

A Midsummer Night_s Dream_ 2011_Ellie Kurttz _c_ RSC_133090

Helena and Demetrius in the 2011 production of A Midsummer Night's Dream. 

Photo by Ellie Kurttz Browse and license our images
Helena is still chasing after Demetrius but accidently finds Lysander, sleeping separately from Hermia. He wakes up and immediately falls in love with Helena telling her ‘Not Hermia but Helena now I love’.

Act 3

Woods

Key Scene

Bottom is transformed

A Midsummer Night_s Dream_ 1970_ Bottom dances_1970_Photo by Reg Wilson _c_ RSC_84029

Bottom dances in the 1970 production of A Midsummer Night's Dream. 

Photo by Reg Wilson Browse and license our images
The mechanicals gather in the woods to rehearse their play. They discover many problems in the story which they try to resolve. Whilst they are rehearsing, Puck arrives and magically transforms Bottom’s head into a donkey's head.

Bottom Sings

A Midsummer Night_s Dream_ 2011_Ellie Kurttz _c_ RSC_133120

The 2011 production of A Midsummer Night's Dream. 

Photo by Ellie Kurttz Browse and license our images
The mechanicals run away and leave Bottom alone, asking ‘why do they run away?’ He decides to sing a song to show he’s not frightened. As he sings, Titania wakes up and asks ‘what angel wakes me from my flow’ry bed?’.

Demetrius falls for Helena

A Midsummer Night_s Dream_ 2002_ Helena_ Demetrius and Puck_2002_Photo by Manuel Harlan _c_ RSC_103708

Helena, Demetrius and Puck in the 2002 production of A Midsummer Night's Dream. 

Photo by Manuel Harlan Browse and license our images
Hermia thinks Demetrius has killed Lysander and runs away from him saying ‘see me no more, whether he be dead or no’. Demetrius decides to rest and while he sleeps, Puck puts some love potion in his eyes. Helena enters, running away from Lysander, and wakes up Demetrius who immediately falls in love with her as well, exclaiming ‘O Helen, goddess, nymph, perfect, divine!’

The lovers argue

A Midsummer Night_s Dream _2008_Photo by John Haynes _c_ RSC_89530

The 2008 production of A Midsummer Night's Dream. 

Photo by John Haynes Browse and license our images
The four lovers get into a huge argument. Hermia think Helena has stolen Lysander away from her, Helena thinks Hermia has asked the boys to mock her and the boys are now fighting over Helena instead of Hermia, with Lysander even reassuring Helena ‘Be not afraid: she shall not harm thee’.

Puck sorts out the lovers

A Midsummer Night_s Dream_ A Play for the Nation production photos_ February 2016_2016_Photo by Topher McGrillis _c_ RSC_184075

The 2016 'A Play for the Nation' production of A Midsummer Night's Dream.

Photo by Topher McGrillis Browse and license our images
Puck uses magic to overcast the night so the four lovers can’t see each other. He then makes them fall asleep near each other. Finally, he places some of the love potion on Lysander's eyes, saying that ‘all shall be well’.

Act 4

Woods

Titania is restored

A Midsummer Night_s Dream_ 1963_ Titania_1963_Photo by Reg Wilson _c_ RSC_66917

Titania in the 1963 production of A Midsummer Night's Dream. 

Photo by Reg Wilson Browse and license our images
Titania treats Bottom to food and drink before professing her love to him and they fall asleep in her bower. Oberon tells Puck that Titania gave him the changeling boy. Puck removes the donkey’s head from Bottom and Oberon applies an antidote and wakes Titania up. She is horrified at the thought of loving Bottom, saying ‘O, how mine eyes do loathe his visage now!’ and leaves with Oberon.

Theseus makes a decree

A Midsummer Night_s Dream _2005_Unrecorded _c_ RSC_89286

The 2005 production of A Midsummer Night's Dream. 

Theseus, Hippolyta and Egeus are out hunting. They find the lovers and Theseus says he will ‘overbear’ Egeus’ will and decrees that the two couples shall marry at the same time as him and Hippolyta. Nobody notices Bottom who wakes up when they leave.

Bottom is found

A Midsummer Night_s Dream_ 2005_ Bottom_2005_Photo by Stewart Hemley _c_ RSC_46002

Bottom in the 2005 production of A Midsummer Night's Dream. 

Photo by Stewart Hemley Browse and license our images
The mechanicals are looking for Bottom who has been missing all night. They moan about the fact that had they performed for the Duke they would have been paid a lot of money that they won’t get if Bottom doesn’t come back. Suddenly, Bottom turns up and tells them they have been chosen to perform for the Duke.

Act 5

Woods

The court watch a play

A Midsummer Night_s Dream _2008_Photo by John Haynes _c_ RSC_89511

The Company in the 2008 production of A Midsummer Night's Dream.

Photo by John Haynes Browse and license our images
Theseus, Hippolyta and the lovers gather after the weddings to watch some entertainment. The mechanicals perform their version of 'Pyramus and Thisbe' to much hilarity, with Thesues saying at the end that it was 'very notably discharged'.

The fairies' Blessing

A Midsummer Night_s Dream_ 2011_Ellie Kurttz _c_ RSC_133318

The 2011 production of A Midsummer Night's Dream. 

Photo by Ellie Kurttz Browse and license our images
When the lovers have gone to bed, the fairies arrive to bless the marriages of Theseus and Hippolyta and the other lovers, before saying 'trip away. Make no stay. / Meet me all by break of day' and disappearing.

Puck ends the play

A Midsummer Night_s Dream_ A Play for the Nation production photos_ February 2016._2016_Photo by Topher McGrillis _c_ RSC_184633

Lucy Ellinson as Puck in the 2016 'A Play for the Nation' production of A Midsummer Night's Dream. 

Photo by Topher McGrillis Browse and license our images
Puck delivers a speech to the audience at the end of the play, telling them that they 'have but slumbered here / While these visions did appear' and bids them goodnight.

Teacher Notes

The following activity is a great way to explore the four worlds of the play and its structure, looking at the plot in an active way.

Four Worlds Collide (2011)

The activity can be found on page 11 and takes approximately 40 minutes.

You can also ask students to create their own timelines of the play, physically arranging themselves in a line down the middle of the room or by creating their own versions.

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