SHAKESPEARE’S GREAT TRAGEDY AND RADIOHEAD’S SEMINAL ALBUM COLLIDE IN THE WORLD PREMIERE OF HAMLET HAIL TO THE THIEF
Co-produced by Factory International, the Royal Shakespeare Company and ATC Experience, Nate Koch and Vivek J.Tiwary for TEG+
Hamlet by William Shakespeare adapted by Christine Jones with Steven Hoggett
Music by Radiohead
Directed by Steven Hoggett and Christine Jones
Orchestrations by Thom Yorke
DOWNLOAD IMAGES HERE
- Thom Yorke, Christine Jones and Steven Hoggett collaborate on a dynamic new version of ‘Hamlet’ where Shakespeare’s words are illuminated by Radiohead’s album ‘Hail to the Thief’ re-worked by Yorke and performed live by onstage musicians and actors.
- ‘Hamlet Hail to the Thief’ will have its world premiere at Factory International, Manchester from 27 April – 18 May 2025 before transferring to the Royal Shakespeare Theatre, Stratford-upon- Avon from 4 - 28 June 2025. Tickets go on sale at 10am on 2 October 2024.
Radiohead frontman Thom Yorke, and celebrated directors, Steven Hoggett and Christine Jones join forces for a frenetic adaptation of Shakespeare’s Hamlet haunted by Radiohead’s celebrated 2003 album Hail to the Thief. Olivier award-winner Steven Hoggett is a founder member of Frantic Assembly whose credits as a choreographer include The Curious Incident of the Dog in the Nighttime and Black Watch. Tony and Olivier Award winner Christine Jones is Creator and Artistic Director of Theater For One, and director of New York immersive nightclub experience, Queen of the Night. Their projects together as choreographer and designer include Harry Potter and the Cursed Child, American Idiot and Let the Right One In.
The world premiere of Hamlet Hail to the Thief will run at Aviva Studios, the landmark new home of Factory International, Manchester from 27 April – 18 May 2025 (Press Night 7 May) before transferring to Royal Shakespeare Theatre, Stratford-upon-Avon from 4 – 28 June 2025 (Press Night 12 June). Tickets go on sale a 10am on 2 October 2024 at factoryinternational.org and rsc.org.uk
Thom Yorke said: “This is an interesting and intimidating challenge! Adapting the original music of Hail to The Thief for live performance with the actors on stage to tell this story that is forever being told, using its familiarity and sounds, pulling them into and out of context, seeing what chimes with the underlying grief and paranoia of Hamlet, using the music as a ‘presence’ in the room, watching how it collides with the action and the text. Ghosting one against the other.”
Daniel Evans and Tamara Harvey, Co-Artistic Directors at the Royal Shakespeare Company said: “Hamlet Hail to the Thief is a momentous project for us. To combine the totemic talents of William Shakespeare, with Radiohead and Thom Yorke, into a thrilling experiential piece of theatre, guided by the genius of Steven Hoggett and Christine Jones, is a dream. It’s an event that embodies a core strand of our work, which is to be a meeting place for the work of our in-house playwright with the most exciting artists of our time, nationally and internationally.”
In this fast-paced distillation of the play, Shakespeare’s words and Radiohead’s album illuminate one another in thrilling new ways as the music becomes a critical part of the narrative. Personally reworked by Yorke, the deconstructed album will be performed live onstage by a cast of 20 musicians and actors.
Elsinore has become a surveillance state and hectic runs in the blood of its citizens. Hamlet Hail to the Thief centres on Hamlet and Ophelia’s awakening to the lies and corruption in Denmark, gradually revealed by ghosts and music. Paranoia reigns and no one is spared a tragic unravelling.
Hail to the Thief (2003) is Radiohead’s sixth studio album with singles including ‘There There’, ‘2+2=5’ and ‘Go to Sleep’. Recorded in the wake of the September 11 attacks and the subsequent ‘War On Terror’, the album underscores a period of paranoia, fear and anxiety, using a striking mix of rock, unsettling sound experiments and lullaby piano ballad, with dystopian themes incorporating Orwell inspired lyrics and theatrical, Brothers Grimm style fables.
Christine Jones said: “The first Radiohead concert I ever saw was the Hail to the Thief tour in 2003. It changed my DNA. Not long after, I was reading Hamlet and listening to the album. Paying attention to the lyrics, I became aware of how many songs from Hail to the Thief speak to the themes of the play. There are uncanny reverberances between the text and the album. For years I've wanted to see the play and album collide in a piece of theatre; eventually I shared the idea with Thom, who was intrigued. I wasn't sure what we would make, but I knew I wanted to make it with Steven and continue experimenting and building on work we have done together over many years.
“We've found that the play haunts the album, and the album haunts the play. Both reflect the internal disquiet and rage that result from despair - in particular despair arising from scrutiny of dominant power structures- whether within governments, communities or families. The text and music probe us relentlessly to question what we are made of, and how to discern right from wrong.”
Steven Hoggett said: “To communicate this expansive narrative, we have found it illuminating and inspiring to look to movement, text, lighting, sound and music to achieve the complexities of the storytelling. We hope that bringing such elements into play means that anyone seeing their first ever Shakespeare will find a variety of 'ways in' to enjoy and appreciate what a spectacular play this is. We are thrilled to have found two venues with Aviva Studios, home of Factory International and Royal Shakespeare Company that complement each other so well. Both are at the very forefront of asking questions about what theatre can be and are two perfect homes for this show.”
John McGrath, Artistic Director & Chief Executive, Factory International said; “With its extraordinary creative team and unique synthesis of talents and ideas, Hamlet Hail to the Thief is exactly the kind of inventive and ambitious collaboration that Aviva Studios was built for – speaking to the heart of our vision to be a space for artists to imagine new possibilities. We’re so excited to be working with such a fantastic set of partners on this project and can’t wait to bring it to the stage.”
Producers ATC Experience, Nate Koch and Vivek J. Tiwary said: “It's hard to underestimate people's deep relationship with Radiohead's acclaimed album; it speaks directly to the fear and anger of today, as keenly as it did in 2003. The opportunity to collaborate with creatives of the calibre of Jones, Hoggett and Yorke, to tell a story about how our world can be changed at the hands of the state, makes this an unmissable cultural event which will immerse and entertain audiences through music, movement and words.”
Bringing together the innovation of Factory International and the Royal Shakespeare Company, Hamlet Hail to the Thief is equally at home in a vast music warehouse space and on an iconic theatre stage. Casting is to be announced in due course.
Hamlet Hail to the Thief is adapted from Shakespeare’s Hamlet by Christine Jones with Steven Hoggett, directed by Steven Hoggett and Christine Jones, with music by Radiohead, orchestrations by Thom Yorke, arrangements by Justin Levine, set design by AMP Collective featuring Sadra Tehrani, sound design by Gareth Fry, music supervision by Tom Brady, video design by Will Duke, light design by Jessica Hung Han Yun, costume design by Lisa Duncan, Text Consultancy and Dramaturgy from Ayanna Thompson and casting by Charlotte Sutton CDG.
For further information contact Kate Evans, Head of Media Relations, 07920 244 434.
X: @TheRSC
Instagram: @thersc
Royal Shakespeare Company incorporated under Royal Charter. Registered charity No. 212481
NOTES TO EDITORS
Hamlet Hail to the Thief
Royal Shakespeare Theatre,
Stratford-upon- Avon
Wednesday 4 - Saturday 28 June 2025.
Regional press night: Thursday 12 June 2025
Tickets available from £10
Box Office: www.rsc.org.uk Tel: 01789 331111
Audio Described performance: Saturday 14 June 2025 at 2:00pm
Captioned performance: Friday 20 June 2025 at 7:45pm
Chilled performance: Saturday 21 June 2025 at 2:00pm
Chilled / Captioned performance: Thursday 26 June 2025 at 2:00pm
BSL performance: Saturday 28 June 2025 at 2:00pm
Creative Team Talk: Wednesday 11 June, 5.45 – 6.30pm
Unwrapped: Saturday 21 June, 11.00am – 12.00pm
Post Show Talk (BSL Interpreted): Saturday 28 June, post-matinee
Ticket Discounts:
£10 tickets are available for 14-25 year olds, supported by Tik Tok together with half-price tickets for under 18s, £10 tickets for UK schools, £16 tickets for Disabled People along with reduced prices for Groups of 10+ and those aged over 65.www.rsc.org.uk Terms and conditions apply.
Hamlet by William Shakespeare
Adapted by Christine Jones with Steven Hoggett
Music by Radiohead
Directed by Steven Hoggett and Christine Jones
Orchestrations by Thom Yorke
Arrangements by Justin Levine
Set Design by AMP Collective featuring Sadra Tehrani
Sound Design by Gareth Fry
Music Supervision by Tom Brady
Video Design by Will Duke
Light Design by Jessica Hung Han Yun
Costume Design by Lisa Duncan
Dramaturg and Textual Consultant Ayanna Thompson
Casting Director Charlotte Sutton CDG
NOTES TO EDITORS
The RSC is supported using public funding by Arts Council England
The work of the RSC is supported by the Culture Recovery Fund
The RSC is generously supported by RSC America
RSC £10 Tickets for 14-25s supported by TikTok
New Work at the RSC is generously supported by Hawthornden Foundation and The Drue and H.J. Heinz II Charitable Trust
BIOGRAPHIES
Radiohead is a British rock band formed in 1985 comprising Thom Yorke, Jonny Greenwood, Colin Greenwood, Ed O’Brien and Philip Selway.
Radiohead’s work is widely regarded as some of the most critically acclaimed and influential music of recent decades. Across their nine studio albums, the band has sold over 30 million albums worldwide and has been recognized with six Grammy Awards, four Ivor Novello Awards. The band’s 1997 album OK Computer has been preserved in the US National Library of Congress and in 2019, the band was inducted into the Rock and Roll Hall of Fame.
Outside of Radiohead, the band members have each pursued creative endeavours ranging from various solo projects to film and dance scores to works of photography.
Thom Yorke (Co-Creator Orchestrator)
Thom Yorke is a musician, composer and visual artist, best known as lead singer and principal songwriter of Radiohead. Outside his work with the Radiohead, he has released three solo albums, The Eraser, Tomorrow’s Modern Boxes, and ANIMA and fronted the band Atoms for Peace to release the album AMOK
Most recently he formed The Smile alongside fellow Radiohead bandmate Jonny Greenwood and jazz drummer Tom Skinner. In quick succession, The Smile has recorded three studio albums, A Light For Attracting Attention (2022), Wall Of Eyes and Cutouts (both 2024).
Yorke’s contributions to film and theatre include two original scores, for Luca Guadagnino’s Suspiria (2018) and this year, for Daniele Luchietti’s Confidenza, and he has written music for stage in the form of the 2015 production of Harold Pinter’s Old Times.
Thom continues to make visual art with the artist Stanley Donwood, longtime creative collaborator and Radiohead cover artist (including Hail To The Thief). In 2021, the two worked alongside producer Nigel Godrich to create the KID A MNESIA Exhibition, an interactive experience based on art and music from the Radiohead albums Kid A and Amnesiac. They have also released two art books together, KID A MNESIA and Fear Stalks The Land.
Christine Jones (Co-Creator & Co-Director)
Christine Jones is an Olivier and Tony Award winning theatre artist, designer, and director.
She is the Creator and Artistic Director of Theater For One; director of Queen of the Night, the Drama Desk-award winning sensational immersive nightclub dining experience; and co-conceiver/director with Steven Hoggett and David Byrne of Social!, a social distance dance club created for the Park Avenue Armory. As a set designer, notable projects include Harry Potter and the Cursed Child, American Idiot, and Spring Awakening. She is currently an Artist-in-Residence at the Park Avenue Armory.
Steven Hoggett (Co-Creator & Co-Director)
Steven Hoggett’s work in theatre includes, as director, Discoshow at the Linq Las Vegas, Burn for National Theatre Scotland and The Joyce, New York; Social! The Social Distance Dance Club at Park Avenue Armory; and Close to You: Bacharach Reimagined at NYTW and in the West End. As choreographer, his work includes Harry Potter and the Cursed Child (Olivier Award nomination) in the West End, on Broadway and internationally; The Glass Menagerie (also Edinburgh International Festival), Once (also West End), Sweeney Todd, A Beautiful Noise, Angels in America, The Crucible, The Last Ship, Rocky: The Musical (Tony nomination), Peter and the Starcatcher (Drama Desk nomination) and American Idiot on Broadway; Nye, The Ocean at the End of the Lane, The Light Princess and The Curious Incident of the Dog in the Night-Time (also West End and Broadway; Tony and Olivier Award nominations) at the National Theatre, London; Let the Right One In for the National Theatre of Scotland and at St. Ann’s Warehouse, New York. As movement /associate director: Black Watch (Olivier Award for Best Choreography) for National Theatre Scotland and at St Ann’s Warehouse, New York. As a founding member of Frantic Assembly, Hoggett also co-wrote, with Scott Graham, The Frantic Assembly Book of Devising Theatre.
Justin Levine (Arrangements)
Justine Levine’s recent projects include: The Outsiders (co-book, co-music and lyrics, music supervisor, orchestrator, arranger; Tony Award), Moulin Rouge! (music supervisor, orchestrator, arranger; Tony Award), Shakespeare in the Park’s A Midsummer Night’s Dream (original music; Delacorte Theater; Drama Desk nom), VEVO X LORDE: Melodrama (vocal arranger/supervisor, conceived by Lorde, Electric Lady Studios), Contemporary Color (music supervisor, conceived by David Byrne, Barclay’s Center and Air Canada Center), Bonfire Night (book, music and lyrics, NAMT), The Weight of Smoke (original music with Matt Stine, choreographed by Doug Elkins for Paul Taylor American Modern Dance, Lincoln Center), Pepper and Sam (co-conceived with Salty Brine, Ars Nova, Joe’s Pub). Bloody Bloody Andrew Jackson (music director, co-orchestrator, cast, Public Theater and Broadway), Here Lies Love (music director, Public Theater, national Theater, Seattle Rep, MassMoca), Love’s Labour’s Lost (music director, co-orchestrator, cast, Delacorte), Robber Bridegroom (music director, orchestrator, Manhattan Theatre Club and Union Square Theater).
AMP feat. Sadra Tehrani (Set Designer)
AMP is a collective co-founded by frequent collaborators Christine Jones and Brett Banakis to elevate fellow designers in the field of set design. On AMP projects, Jones and Banakis collaborate with an emerging designer to lead the day-to-day design process with the support of their guidance, and to create a design that is the result of the shared vision of the collective. AMP recently designed a musical adaptation of The Outsiders, featuring designer Tatiana Kahvegian. The scenic design team for Hamlet Hail to the Thief will feature designer Sadra Tehrani.
Yasmine Lee (Choreographer)
Yasmine Lee is a US based choreographer and movement director who has worked across theatre, concert dance, film, television, music videos, ceremonies, and with major recording artists in over 35 countries and in every state of the USA. She has worked with Steven Hoggett on several productions including A Beautiful Noise, Harry Potter and the Cursed Child, The Curious Incident of the Dog in the Nighttime, and Once.
Gareth Fry (Sound Designer)
Gareth Fry’s work includes productions for Complicité, National Theatre of Scotland, National Theatre, Royal Court, Bridge Theatre, Old Vic, Young Vic, in the West End and many more. He has designed exhibitions including V&A’s David Bowie Is, Alice: Curiouser and Curiouser and Diva, and events such as the Opening Ceremony of the 2012 Olympic Games.
He is a specialist in the use of spatial and binaural sound, used in Complicité’s The Encounter, the BBC’s The Dark Is Rising, numerous VR experiences, podcasts and advertising campaigns, including for Bose, Volvo and Land Rover. His work in VR has been featured at the Tribeca, Vienna and Sundance festivals.
He is a founder of, and spent 6 years as the chair of the Association of Sound Designers (now the ASDP), a charity that works to support people working in, and entering the UK theatre sound industry. Gareth is an honorary fellow of the Royal Central School of Speech and Drama. He is the author of Sound Design for the Stage, published in 2019 by Crowood Press. Awards include three Olivier Awards, two Tony Awards, two Drama Desk Awards, two Helpmann Awards and an Evening Standard award.
Tom Brady (Music Supervisor + Music Director)
Tom Brady is a UK-based music supervisor, music director, composer, arranger & orchestrator. Recent credits include Guys & Dolls (Bridge Theatre), Oklahoma! (Young Vic), Pinocchio (Disney & National Theatre), Caroline, or Change, Show Boat (West End), The Magician’s Elephant, The Empress (RSC), Romantics Anonymous (Bristol Old Vic/US Tour), and Everybody’s Talking About Jamie (Sheffield Crucible.) Tom was nominated for an Olivier Award for his work on Guys & Dolls. He studied at Oxford University and the Royal Academy of Music.
Will Duke (Projection Designer)
Will is a video and projection designer working internationally across Opera, Theatre, Dance, Musical Theatre and Experimental performance. Theatre credits include A Midsummer Night’s Dream (RSC/Barbican); Passing Strange (Young Vic); Macbeth (ETT); Into The Woods (Theatre Royal Bath); The Girl On The Altar (Kiln/Abbey Theatre Dublin); The Meaning of Zong (Bristol Old Vic); The Long Goodbye (Manchester International Festival); Grief Is The Thing With Feathers (Barbican & St. Ann’s Warehouse, New York); The Encounter (Complicité; Barbican, International Tour & Golden Theatre, Broadway); Pygmalion (Headlong & West Yorkshire Playhouse) and Queen Anne (RSC). His Dance and Opera credits include The Handmaid’s Tale (San Francisco Opera, Royal Danish Opera); Breaking The Waves (Detroit Opera and Opera Comique Paris); Peter Grimes (Teatro ala Scala); Don Giovanni (Gottenburg Opera); Wozzeck (Aix Festival); Carmen (Scottish Opera); Nixon In China (Teatro Real, Madrid); Cabaret (Lido, Paris); Coppelia (Scottish Ballet) and The Life and Death of Alexander Litvinenko (Grange Festival).
Jessica Hung Han Yun (Lighting Designer)
Jessica Hung Han Yun’s theatre credits include Fangirls (Lyric Hammersmith); Alma Mater (Almeida); Once on This Island (Regent's Park Open Air Theatre); My Neighbour Totoro (RSC/Barbican); The Mirror and the Light (Playful Productions/West End); Withnail and I (Birmingham Rep); Minority Report (Nottingham Playhouse/ Lyric Hammersmith); The Good Person of Szechwan (Sheffield Crucible); The Glow, Seven Methods of Killing Kylie Jenner (also Public Theatre, New York/Wooly Mammoth, Washington DC); Anna X (Lowry/West End); Marys Seacole, Blindness ( Donmar Warehouse); Equus at Theatre Royal Stratford East/ETT/Trafalgar Studios/UK Tour and One (Home/UK Tour/International Tour). Dance includes HOME (Rambert2); Twice-Born (Scottish Ballet). Other events include DIVA Exhibition (V&A) and Guardians of the Galaxy: The Live Immersive Experience (Secret Cinema). Her awards include an Olivier Award and WhatsOnStage Award for Best Lighting Design for My Neighbour Totoro and a Knight of Illumination Award for Plays and Off West End Award for Best Lighting Design for Equus.
Lisa Duncan (Costume Designer)
Lisa Duncan studied Fashion Design and pattern cutting, before becoming a Fashion Editor and Stylist for major glossies including Harper’s Bazaar, Cosmopolitan, Marie Claire and Interview magazine. Lisa completed an MA in Costume Design at the London College of Fashion in 2012. Since then, she has styled and designed for Film, Television, and Theater; working alongside acclaimed names such as Michaela Coel, Thomas Kail, Michael Keillor, Florian Zeller, Alex Garland, and Steve McQueen. She designed The Normal Heart( National Theatre, directed by Dominic Cooke) and Get Up, Stand Up (Lyric Theatre, directed by Clint Dyer). Her most recent credits are for series We Were the Lucky Ones (Hulu/ 20th Television) and the upcoming Amadeus (Sky/ Two Cities Television, with director Julian Farino).
Ayanna Thompson (Dramaturg & Textual Consultant)
Ayanna Thompson (Dramaturg) has worked on the Broadway productions of Romeo and Juliet, Uncle Vanya, and Macbeth. She serves as a Shakespeare Scholar-in-Residence at The Public Theater in New York, and currently serves on the boards of the Royal Shakespeare Company, the Folger Shakespeare Library, the National Parks Arts Foundation, and Play On Shakespeare. The author of numerous books including Passing Strange: Shakespeare, Race, and Contemporary America (OUP), she is a Regents Professor of English and Executive Director of the Arizona Center for Medieval & Renaissance Studies at Arizona State University.
Charlotte Sutton CDG Casting Director
Charlotte Sutton CDG is the Head of Casting at the Royal Shakespeare Company, where her credits include Pericles and Love’s Labour’s Lost. She is an Artistic Associate of the Young Vic, where her credits include Best of Enemies (also West End), Fairview and Death of a Salesman (also West End She was the Casting Associate at Chichester Festival Theatre from 2017-2023, where her credits included: The Inquiry, Assassins, Local Hero, The Famous Five, Sing Yer Heart Out for the Lads and Our Generation (also NT – for which Charlotte won the 2023 CDG award for Best Casting in Theatre). Other theatre credits include: Guys and Dolls (Bridge – for which Charlotte won the 2024 CDG award for Best Casting in Musical Theatre), The Secret Life of Bees (Almeida), South Pacific (Sadler’s Wells, CFT & UK tour), Cock (Ambassador’s), Company (Gielgud), My Brilliant Friend (Rose & NT), Long Day’s Journey Into Night (Wyndham’s, BAM & LA), wonder.land, The Light Princess, Emil and the Detectives, The Elephantom (National Theatre).
The Royal Shakespeare Company (RSC) The Royal Shakespeare Company’s mission is to bring people together to experience stories that deepen our understanding of ourselves, each other and the world around us, and that bring joy. Shakespeare’s restless exploration of all of human nature is our inspiration and touchstone.
The Company’s roots lie in the bold vision of a local brewer, Edward Fordham Flower, who in 1879 established a theatre in Stratford-upon-Avon with his son Charles. The RSC as we know it today was formed by Sir Peter Hall, whose ambition was to produce new plays alongside those of Shakespeare and his contemporaries. We continue this today across our three permanent theatres in Stratford – the Royal Shakespeare Theatre, the Swan Theatre and The Other Place – and indeed online and around the globe. We believe everybody’s life can be enriched by culture and creativity. Our transformative Creative Learning and Engagement programmes reach over half a million young people and adults each year. We have collaborated with generations of the very best theatre makers and we continue to nurture the talent of the future.
Co-Artistic Directors
Daniel Evans & Tamara Harvey
Executive Director
Andrew Leveson
rsc.org.uk
@thersc
Registered charity no. 212481
Arts Council England is the national development agency for creativity and culture. We have set out our strategic vision in Let’s Create that by 2030 we want England to be a country in which the creativity of each of us is valued and given the chance to flourish and where everyone of us has access to a remarkable range of high-quality cultural experiences. We invest public money from Government and The National Lottery to help support the sector and to deliver this vision. www.artscouncil.org.uk.
Following the Covid-19 crisis, the Arts Council developed a £160 million Emergency Response Package, with nearly 90% coming from the National Lottery, for organisations and individuals needing support. We are also one of the bodies responsible for administering the Government’s unprecedented Culture Recovery Fund, of which we delivered over £1 billion to the sector in grants and loans. Find out more at www.artscouncil.org.uk/covid19.
TikTok is the leading destination for short-form mobile video. Our mission is to inspire creativity and bring joy. TikTok’s global headquarters are in Los Angeles and Singapore, and its offices include New York, London, Dublin, Paris, Berlin, Dubai, Jakarta, Seoul, and Tokyo
Factory International (Co-Producer) is the organisation behind Manchester International Festival (MIF) and the city’s landmark new cultural space, Aviva Studios. Producing an ambitious year-round programme of original creative work, music and special events, Factory International builds on the legacy of MIF, one of the world’s leading arts festivals, and the first to be entirely focused on the commissioning and producing of ambitious new work. Audiences can enjoy the broadest range of art forms at Aviva Studios – the ultra-flexible new venue designed by the Office for Metropolitan Architecture (OMA) – as well as online, internationally and at the city-wide Festival held every other year.
Factory International plays an important role in the lives of Greater Manchester residents, bringing jobs, training and creative opportunities. Through the Factory Academy, Factory International is training the creative workforce of the future, while its pioneering creative engagement and artist development programmes create year-round opportunities for artists and local people. Factory International is an Arts Council England National Portfolio Organisation. The development of Aviva Studios was led by Manchester City Council, with backing of £99.05m from HM Government and £7m National Lottery funding from Arts Council England.
ATC Group PLC (Co-Producer) is a progressive, independent, full-service music company delivering representation, services and creative solutions to the most dynamic artist businesses worldwide.
Our mission is to provide artist-focussed, collaborative and creative services to help to build commercially and culturally enduring artist businesses.
Working with over 800 artists, our services include Artist Management, Live Touring, Merchandising, E-Commerce, Live Streaming, Event Promotion and Experiences. The group prides itself on meeting the unique needs of creator’s businesses, facilitating direct engagement between the artist and fan. Find out more at https://www.atcgroupplc.com/
Nate Koch (Co-Producer)
Nate Koch is the founder and CEO of NVK, an executive producing, general management and business management firm based in New York. He has executive produced Justin Peck, Jackie Sibblies Drury, and Sufjan Stevens' Illinoise (Broadway, Park Avenue Armory, Chicago Shakespeare Theater), David Byrne’s Theater of the Mind (Denver Center), Love Around the Block (Hermès), the Tooting Arts Club production of Sweeney Todd (Lucille Lortel Award - Barrow Street Theater), and Queen of the Night (Paramount Hotel). In addition to his work with NVK, he is the COO of Seaview, the New York-based Tony award-winning and Olivier-award winning theatre and film production company currently represented on Broadway with Stereophonic, Once Upon a Mattress starring Sutton Foster, and Romeo + Juliet starring Kit Connor and Rachel Zegler and Off-Broadway with Hold On To Me Darling starring Adam Driver Of. Nate is the recipient of a Tony Award nomination, Drama Desk Award, and Lucille Lortel Award.
Vivek J. Tiwary / TEG+ (Co-Producer)
Vivek J. Tiwary is an acclaimed producer of musical entertainment from Tony Award-winning Broadway shows to groundbreaking immersive experiences, a Grammy Award-winning record producer, and a #1 New York Times bestselling author (The Fifth Beatle). He is the founder of Tiwary Entertainment Group (TEG+), the only production company that focuses on collaborating with the music industry and celebrity artists to create work that is narrative, experiential, and/or immersive. TEG+ operates with a platform nimble approach— producing for Broadway, film, television, graphic novels, the metaverse, Augmented and Mixed Reality (in partnership with famed VFX company Industrial Light & Magic), and beyond. Past hit projects include Broadway’s Tony Award-winning Jagged Little Pill with Alanis Morissette and Green Day’s American Idiot.Upcoming film and television projects include The Lazy Susans, starring Amy Adams and inspired by the true story of five suburban moms who started a rock band; and Combat Love, based on the memoir by CNN anchor Alisyn Camerota. More information at TiwaryEnt.com.
